About Fidel

Two offices, one argument: the work should be understood where it happens and where it is funded.

Fidel Communications ÖU, registered in Tallinn, Estonia. Founded in 2021. Seven institutional clients. Production and delivery from Addis Ababa, EU-facing strategy and digital from Tallinn.

Aerial view of Addis Ababa at golden hour

Origin

Fidel began with a failure. A four-hundred-million-euro regional programme was closing out, on paper a success. In the towns it had rebuilt, people could not say what it was or who had funded it. The final report ran to two hundred pages. The public record ran to almost nothing.

We started the agency to make that outcome unacceptable. Not with more brochures and visibility guidelines, but with the tools that actually shift a public: reporting, cinema, radio, evidence, and a refusal to write anything that a person in a market in Dire Dawa would not recognise as true.

Today Fidel sits deliberately between three worlds — the strategic discipline of an institution, the instincts of an editorial newsroom, and the craft of a production studio. We are equally comfortable in a delegation briefing, a broadcast edit suite, and a village square at six in the morning.

Structure

Addis Ababa and Tallinn. Not a head office and a satellite.

Most agencies bidding on European public sector programmes in East Africa are either close to the funder or close to the field. Being in both places is the whole point: contracting, compliance and reporting run inside the EU, while direction, crews and community access are permanent, local and ours.

Production and on-the-ground delivery

Addis Ababa, Ethiopia

Crews, fixers, field research and East Africa relationships. We film where the programme actually happens, in the languages spoken there.

Bole Sub-City, Woreda 03 Addis Ababa, Ethiopia

EU-facing operations, digital and strategy

Tallinn, Estonia

Contracting, compliance and reporting inside EU expectations, plus our digital and strategic delivery team — in the same time zone as the institutions commissioning the work.

Tallinn, Estonia Full address on request

10M reached in 12 months

Trusted by institutions

Addis Ababa · Tallinn

European Union
GIZ
AFD
AECID
African Union
COOPI
UNHRC
European Union
GIZ
AFD
AECID
African Union
COOPI
UNHRC

Why most development communication fails

  1. 01

    It is written for the funder, not the public.

    Copy that survives eleven rounds of institutional approval has usually had every specific, memorable, arguable thing removed from it. Consensus is the enemy of a sentence.

  2. 02

    It arrives last.

    Communication is budgeted at the end, delivered at the end, and asked to compensate for two years of public silence in a six-week campaign window.

  3. 03

    It confuses visibility with narrative.

    A logo on a signboard is not a story. People do not build trust in institutions they have seen; they build it in institutions they understand.

  4. 04

    It is produced from outside.

    Crews flown in for eight days get eight days of polite answers. What people are willing to say depends entirely on who is holding the camera.

How we work

Four commitments we do not negotiate.

Rigour

Every claim we put in public is one we can source. Research before concept, always — and we will tell a client when the evidence does not support the story they want.

Cultural fluency

We work in the languages, idioms, and social structures of the places we film. Translation is not the last step of the process; it is the first.

Public accountability

Our first obligation is to the people a programme is meant to serve. That occasionally makes us an uncomfortable partner. It is why the work is trusted.

Creative craft

Seriousness is not an excuse for dull. Institutional work deserves the same directorial standard as the best commercial and editorial production anywhere.

Leadership

The people who sign the work.

Fikir Alemayehu

Founder & Managing Director

Fifteen years between newsroom and institution — from national broadcast current affairs to communications lead on multi-country public sector programmes. Founded Fidel after watching a €400m programme fail its own public.

Nahom Tesfaye

Executive Creative Director

Documentary director and cinematographer. Work commissioned by regional broadcasters and international development institutions, with festival selections across Africa and Europe.

Amina Yusuf

Director of Strategy

Behaviour change and audience research specialist. Built field research practice across Ethiopia, Kenya, and Somaliland; former policy analyst on energy access.

Selam Bekele

Head of Partnerships

Runs institutional relations and stakeholder alignment across EU, AU, and bilateral partners, from first scoping conversation to final reporting.

Leadership biographies are placeholders pending final approval.

Bring us in early. That is when we are worth the most.

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